Tuesday, November 30, 2010

For Demonstration Purposes Only.

It's that time of the semester when I find myself doing demos. Lots and lots of demos. So skipping over the one where I painted a tarnished brass frog sprinkler in blue and orange gouache to demonstrate a logical place for a complementary color scheme, here's a portrait of a student in my Art Appreciation class, executed over the course of an hour in class.

Fabiola, 2010.
oil on canvas, 11" x 16"


The following two were separate technique and color scheme demonstrations, based on a sketch from my "Mind Your Manners, Alice Roosevelt!" book. They're both variations on tertiary, triadic color schemes, one utilizing a combination of red-orange, yellow-green and blue-violet, while the other is comprised mainly of red-violet, yellow-orange, and blue-green.

Each of these took about an hour and a half to complete (thankfully, the sketching and reference had been taken care of two years ago). The watercolor was for my University of the Arts Pictorial Foundation class, while the gouache was for a Seton Hall University 2-D Color & Design section.


Watercolor on Fabriano 140 lb. soft press, 10.75" x 13"


Gouache on Arches 140 lb. hot press, 10.75" x 13"

Here's the original oil that appears in the book:

"She simply decided to spend her time over his roof." 2010.
Oil on paper, 18" x 30"

...and the original sketch...

"She simply decided to spend her time over his roof." 2008.
Pencil and white gouache on gray Canson paper, 11" x 19"

Tuesday, November 23, 2010

Sunday, October 17, 2010

Mass Transit Hipster.

7.25" x 8," 2010.
pastel, conte and charcoal over gouache
on gray Rives BFK paper
.

Friday, October 8, 2010

It's World Egg Day!


On approaching the object,

Mable could think of nothing but
omelets, pancakes and cookies;
her every neural impulse
trained on visions of
homecooked vittles,
baked and fried.

This was indeed unfortunate.

Tuesday, September 28, 2010

A book signing in Brooklyn...

I'll be signing copies of THE BLUE HOUSE DOG at BookCourt, 163 Court St., Cobble Hill, Brooklyn on 10/3 at 11 with the book's author Deborah Blumenthal.

Stop on in, by all means!



Sunday, September 5, 2010

If I knew what my laurels were, I might rest on them for a second.

But as it turns out, I'm not sure from whence that saying derives. So I guess I won't.

For what I'll just generalize as contractual issues, I'm not saying what these are from at the moment. For now we'll just call them jobs, though if even that gives away too much, I'm happy to pretend for now that it's all from one big job detailing the long involved travails of Bigfoot, some yeti hunters, and a couple of time traveling musicians.





Various sizes, oil on paper, 2010.

Thursday, September 2, 2010

Calico Dorsey


Hey, even if it's not shipping until September 28th, my latest picture book illustration project on the market, "Calico Dorsey," written by the extraordinarily gifted Susan Lendroth, has already garnered a nice review from School Library Journal. In the in interest of shameless plugs and self-aggrandizement as a healthy and effective marketing and promotional tool, I'm reproducing it below:

Gr 2-5—Illuminating California's silver mining era, Lendroth creates a plausible story line. It is based on a possibility of actual events surrounding the Border collie that came to be an official U.S. Postal Service mail carrier, crossing the Mojave Desert between the town of Calico and the hills where the miners and prospectors worked. Perspectives on the dog's experiences are related by the Stacey brothers, who run the general store and post office; Nellie, the young daughter and niece; and Dorsey himself, which create excitement for young readers. In the author's notes, Lendroth writes that she uses the information she found during her research to create a story based on fact. Gustavson's paintings are intergrated into the text, flowing from page through the centerfold to page, making this obscure story larger than life. The vitality of the characters is enhanced by the artist's accurate, yet expressive details that add humor and sweetness to the faces of both the people and Dorsey.—Tina Hudak, St. Albans School, Washington, DC